1/9/2023 0 Comments Superphoto app ipad![]() ![]() I chose a very simple design based on the joints of a bamboo cane.Ĩ.2 My chosen abstracted fragment. ![]() I drew the designs in 4x7cm rectangles.Ĩ.1 Simple abstracts from previous design work. I looked for likely designs from my sketchbook, the solid shape exercise and the hollow line exercise. In this chapter a small section is taken from a source and developed into a design. Shuna has been a member of the Sixty Two Group since 1993 and has exhibited with the group. Her work is a product of a background of studying sculpture at St Martins, a creative textiles C&G course at the London College of Furniture and contact with a basketry course at the same college. A key element to her work is making flexible structures from rigid materials such as cane, She uses the netting and linking techniques to achieve this. ![]() She creates beautiful structures that you want to pick up and manipulate like you would a slinky toy. This quotation from an interview by Susie Johns for Embroidery Magazine May 2003, provides an insight into the work of Shuna Rendel. I’m a very impatient person – perhaps that’s what keeps me going, following the path” I am interested in investigating basketry techniques for use in embroidery. I have chosen two basket makers to study since many support structures in the garden are 3D and there are many examples of plant supports with elements of weaving to be found, especially in the kitchen gardens of large estates, There is also the element of plant stems weaving their way around supports either naturally or by the human hand. ![]()
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